Jorge Ignacio Cortias' new experimental play Recent Alien Abductions is an engaging enigma. Many seem to have been college friends, two seem to be lovers, or ex-lovers. Tango Palace (1964), her first important play, is about the power struggle between Isidore, "an androgynous clown," and Leopold, "an earnest youth." WebMara Irene Forns' Fefu and Her Friends is finally being revived after four-plus decades --- Like many admirers of Mara Irene Forns' rarely perfo They say both happen at once. Julia denies her madness. WebMoving parts : monologues from contemporary plays by Nina Shengold Maria Irene Fornes was one of America's greatest playwrights and most influential teachers, but Sue is one of the most domestic women in this playkind and fun to be with, but also bland and forgettable. The play, in fact, ironically examines how fantasies are nourished by the movies. Research Playwrights, Librettists, Composers and Lyricists. 1970s: Both realism and absurdism continue to be popular forms in theater. Kent, Assunta Bartolomucci. A Vietnamese Wedding (1967) was one of Forns's two plays written to protest American involvement in Vietnam. The play questions the nature of truth as the mother sings: "I have to live with my own truth / Whether you like it or not I know everything. WebFornes early work is collected in this volume, including The Sucessful Life of 3, which was produced by the Judson Poets Theatre; Tango Palace, a San Francisco Actors Workshop production, directed by Herbert Blau; and Promenade, an Open Theatre production directed by Joseph Chaikin before going on to a successful Off-Broadway run. Choose a poem or passage from a book and memorize it, then recite it with dramatic flair for your class. In the 1970s, Fornes became deeply involved in Hispanic theater through INTAR, the Hispanic American Arts Center in New York City, where she taught workshops for aspiring Hispanic playwrights. This volume, her second of collected plays, includes the recent Mud, The Danube, Sarita, and The Conduct of Life. Fornes wrote and directed this middle part of the play to be performed in four parts simultaneously. ", It should be noted that Fornes also remarks, "I don't mean linear in terms of what the feminists claim about the way the male mind works." Fefu is quite the opposite. She wrote more than three FURTHER READING Maria Irene Fornes's Fefu and Her Friends leaves us with a vision that is nothing if not ambivalent. In other words, plumbing is like the perfect performative described by Butler: while it may function as witness to the body and its avenues of abjection, it also functions as a "smooth and dry and clean" denial of that same function. CHRISTINA hides behind the couch. Gain full access to show guides, character breakdowns, auditions, monologues and more! I'm going mad too," Fefu accuses Julia. Largely an auto-didact, the first of her over three dozen plays, Tango Palace, was produced in 1963. They broke my hands. He has become mor Leticia The Conduct of Life 0 All monologues are property and copyright of their owners. Bassist Harlan Rollins built an original instrument he called The Bass Haus on which he accompanied all but the first scene live. They didn't do anything to my heart because I didn't bring my heart with me." "I am in constant pain. Forns emigrated from her native Cuba to the United States in 1945 with her mother and sister. She has received eight Obie awards in such categories as distinguished playwriting and direction and best new play for PROMENADE (1965), THE SUCCESSFUL LIFE OF 3, FEFU AND HER FRIENDS, THE DANUBE (1982), MUD, SARITA (1984), THE CONDUCT OF LIFE, and ABINGDON SQUARE (1987). I need his kiss. Fefu says of Julia, before her accident, "She was afraid of nothing. Paula starts crying; Cecilia kisses her and they leave the living room. Neither know what this dream means. Fefu, like Earhart and Roosevelt, is a strong, independent woman, although she has discovered that strength and independence do not automatically equate with happiness in life. They are reunited again for part 3. Julia's grip on reality is shaken when a stray remark from Fefu leads her to believe she has committed a grievous error and accidentally told someone about the judges. Michael Feingold in the Village Voice described the play as "the only essential thing the New York theatre has added to our cultural life in the past year." Seven friends gather at Fefus house for a kind of reunion exploring lives and https://www.encyclopedia.com/arts/educational-magazines/fefu-and-her-friends, "Fefu and Her Friends Fefu opens the presentation; Paula goes next. So she had to see a psychiatrist from then on." Molly's Dream (1968) illustrates the influence of cinema on people's dreams of romance. As she states in Part One. Her inner judges force her to denounce her intelligence. From the very first line, "[m]y husband married me to have a constant reminder of how loathsome women are," Fornes's play draws us into a world where every utterance does something, enacts some inequality between men and women (and, though this is less frequently noted, between women and women). Whenever she is overly aware of the pain she feels, she rushes out of the room to fetch lemonade, fix a toilet, or make lunch. Cindy explains to Christina about Phillip and Fefu, "They are not crazy really. / Half of it I really know, / The rest I make up." The power of the absent male is everywhere evident in Fefu, and particularly imaged in Julia's paralysis. The play not only realizes Julia's absent voices, it reshapes the audience's relation to the drama, requiring an interpretive activity that subordinates "plot" to "atmosphere" or "environment," one that refuses recourse to a single, external point of view. WebIn Mud, Maria Irene Fornes has created a stark and uncompromising drama, in which self-improvement is a wistful, far-off goal, and the bleak nature of everyday life is impossible even as her body is unable to move. Cecilia tries to use similar tactics of withholding affection to manipulate her former lover, Paula. WebForeword / by Barry Moss -- PART ONE: A WORLD OF MONOLOGUES. Rattled, Christina asserts, "One can die of fright, you know." Texts found in folders with broad captions such as "Stories" or "Monologues" have generally been assigned individual folders (many of these were duplicates to copies found elsewhere), but collections have been left as found when the folder caption appears to provide context (as in "Scenes for Los Angeles class"). The first part has one scene, the second part has four scenes, and the third part has one scene. She promises Paula again that she will call her but will not be specific about when. This invalidation of her posture of male-identification makes being around women a dangerous situation for Fefu. As seen with Julia's imagined judges, authority figures have a lot of influence on one's beliefs and self-esteem. The symposium is an intergenerational community gathering of artists, academics, students, Fefu picks up a double-barrel shotgun and shoots at her husband near the beginning of Fefu and Her Friends, billed as a modern classic and written by the beloved If we are invited to be in their spaces but not of them, made to feel how little difference our presence makes in their world, then what does that say for the status of Fefu as a feminist performance? At the same time, however, when it is functioning as we expect it to, plumbing is also precisely what enables us to conceal, to forget, the fact of our bodily functions. Harvey New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. 181-93. Their struggle is as stylized as the tango Isidore ostensibly attempts to teach Leopold and as deadly as the bullfight in which they engage, a fight which culminates in an embrace as Leopold kills Isidore. I need him, Julia. The two friends have an easy rapport. Free shipping for many products! So there seems to be no reason for the paralysis. They ask after each other's lives. You walk The only identity left to them was that of patient. Fornes, Marie Irene, Fefu and Her Friends, in the Performing Arts Journal, Vol. Kathleen Chalfant, Carmelita Tropicana, Michael Cerveris, David Greenspan, Erin Markey, and MaYaa Boateng are among the Paula, like the other women, is a friend of Fefu's and an educator. This book is a collection of essays about teaching feminist theatre and includes essays by the feminist playwrights Ellen Margolis and Cherrie Moraga. WebMaria Irene Fornes, already experimenting with her Method-based exercises, along with Murray Mednick, emerged as much beloved teachers whose classes even the veteran playwrights attended.10 8 Maria Irene Fornes, quoted in Maryl Jo Fox, Stage Hand, LA Weekly (21-27 July 1989), 33; quoted in Caridad Svich, Conducting a Today: Plays range from experimental to realistic. Drama for Students. WebMaria Irene Fornes - Scott T. Cummings 2013 Maria Irene Fornes provides an enlightening introduction to a pivotal figure in both Hispanic-American and experimental theater. HISTORICAL CONTEXT yet Ayckbourn's trilogyeach play takes a different set of soundings from the events of a single weekendimplies that there could be, in some mammoth play, a single ordering of events, one "drama" expressed by a single plot and visible from a single perspective. Cindy tells Julia, "She's been hiding all day." The only madness is, instead of saying her experience was as if there was a court that condemned her, she says that they did" (Austin 80). Julia is one of the central characters of this play. In her dream, she was threatened by an angry young doctor and escapes with her sister in a taxi, waking just before he catches her. This exclusion of the playwright from the rehearsal process seemed to Fornes "like the most absurd thing in the world." Sarita (1984) dramatizes the struggle between accepted moral values and personal sexual desires. Fefu and Her Friends was the The way worms are underneath the stone. Few, if any, were aware of the inhumane treatment happening at concentration camps and death camps in Europe. Sue reminisces about old friends of theirs who were sent to "the psychiatrist" because they were not conforming to a womanly ideal. The ensuing love / hate triangle that brews between the three creates a toxic environment, and Mae, whose love and respect for Henry turn to impatience and resentment after an accident renders him helpless, determines that to escape the ill-luck of her life, she must escape the men who depend upon her. They saw success with their campaign in 1920, when the 19th Amendment to the Constitution was ratified. He does not enjoy the intimacy of part 2 when the audience visits different rooms to see the scenes performed, and he does not see why the women are getting together. The gun firing scared them and they are trying to calm their pounding hearts. As Fefu brings a dead rabbit into the room, blood inexplicably trickles down Julia's forehead. At her house, she is a thorough and welcoming host and has a playful, fun spirit. Julia's condition is reminiscent of Fefu's comment about the worms under the rock: You see, that which is exposed to the exterior is smooth and dry and clean. The wind keeps whipping a wispy lock of hair into Maria Irene Fornes' well-lined face. Yet while Fornes attributes the staging of Fefu and Her Friends to chance, she has also stated, "When something happens by accident, I trust that the play is making its own point. They took my voice away. Henry moves in to complete the trio, replacing Lloyd in Maes bed, but when an accident disables Henry, Mae I had written Julia's speech in the bedroom already. The hunter is kin to Julia's hallucinatory "voices" in part 2, the "judges" who enforce her psychic dismemberment: "They clubbed me. Adams, Ricci-Jane. The exchange of power takes place through the "sighting" of the other. Perhaps as a result, the staging of Fefu challenge the institutional "objectivity," the controlling partitions of realistic vision. She now suffers from petit mal seizures, known today as absence seizures, which are characterized by temporary loss of consciousness, with the victim staring off into space for a short period of time. By searching the title, publisher, or authors of guide you in reality want, you can discover them Maria Irene Fornes, Athol Fugard, Vaclav Havel, Danny Hoch, David Henry Hwang, Moiss Kaufman, Tony Kushner, Craig Lucas, Emily Mann, Steve Martin, Reynolds Paula and Cecilia leave the living room in different directions while Fefu sits quietly on the steps. ( 1977-05-05) Place premiered. This is the first direct indication that Fefu is not as strong, nor as happy as she appears. Similar to some of her other plays in using cinematic elements and demonstrating a tenderness toward the characters, Fefu and Her Friends differs in being more realistic, developing characters more fully, and containing decidedly feminist content. Indeed, it would seem that it is this very act of forgetting that makes "woman" what she is in the first place. Her first play, Tango Palace, was produced in 1963. Fefu is a well-heeled philanthropist, giving talks and fundraising for education. Her family moved to the United States Fornes arrived at this unique staging by chance while she was looking for a space in which to present her as-yet-unfinished play: I did not like the space I found because it had large columns. "Those were difficult times," Sue remarks. Three people assume characteristic expressions at certain moments in the play: He ("handsome young man") "looks disdainful"; She ("sexy young lady") "thinks with a stupid expression"; 3 ("plump, middle-aged man") "looks with intense curiosity." (Broadway Play Publishing Inc), https://www.broadwayplaypub.com/play-authors/maria-irene-fornes/, Department of Theater, Dance, and Performance StudiesUniversity of California, Berkeley15 Dwinelle Hall, MC 2560Berkeley, CA 94720-2560, Box Office:tdpsboxoffice@berkeley.edu(510) 642-8827. Eight women gather at Fefu's house ostensibly to discuss plans for a fund raising activity. Why?What is feared?Hmmm. In the first line of dialogue in the play, Fefu says, "My husband married me to have a constant reminder of how loathsome women are." Fefu and Her Friends by Mara Irene Forns Themes of isolation, entrapment, and gender are explored with an all-female He has become mor Start: Molly and Jim observe the transformations of John and Alberta but are too proud to fully engage in the intense passion required to establish a relationship. Women are restless with each other. Photographer Giard published almost 200 photographs that he took of gay and lesbian writers in the 1980s. WebThree Latinas: Puerto Rican educator and social worker Antonia Pantoja; Cuban-American avant-garde playwright, Maria Irene Fornes, and Puerto Rican labor and civil rights leader, Luisa Capetillo, strong women who burst into New York City, creating powerful movements through their artistry and advoca Come on, laugh." Emma and Fefu are especially close with each other. Now, hes upward of 60 plays and a key supplier for regional theaters. WebMara Irene Forns The Forns Institute, an initiative of the Latinx Theatre Commons (LTC), aims to preserve and to amplify Mara Irene Fornss legacy as a teacher, mentor and artist, through workshops, convenings and advocacy. She is still writing and directing plays. Maria Irene Fornes was born in Havana, Cuba. Forne's own comments about the play's reception have suggested that many audience members continue to judge how well Fefu and her friends are together through the familiar lens of hom(m)osociality; indeed, many of the post-performance questions about the play often concern neither Fefu nor any of her seven friends, but the few male characters who never even appear. They broke my hands. You know, its not my fault Im pestered by them! Mary Coyle Chases Harvey has been an American favorite since it was first brought to the Broadway stage in 1944. WebLeia Maria Irene Fornes de Scott T. Cummings disponvel na Rakuten Kobo. The multiple realities of the play are suggested by Nora Chavooshian's finely detailed settings (combining artificial outside grounds off the living room with the natural sounds of crickets). Throughout her career, Fornes plays broke and experimented with expected dramaturgical structures. Her experimental works led the avant-garde of off-off-Broadway; many of her Il The Conduct of Life by Maria Irene Fornes The Play: In a series of nineteen scenes, The Conduct of Life depicts the emotional torture First performed by the New York Theater Strategy in a SoHo loft, the play originally invited the spectators to explore the space of Fefu's home. He says, That one, the one that falls." In the completed play, Fornes has brought these two starting premises together so that, however indirectly, Fefu shoots Julia rather than her husband Phillip and, in doing so, takes the place of the men in the "joke" who objectify women to the point of annihilation. Learn More Shes the most original of us all. In this Lehrstck, then, Fefu's male-identification is ultimately as self-destructive and ineffectual a strategy of resistance to women's subordination within patriarchal culture as Julia's hysteria. She tells her so a little later in part 1, "I think you're crazy" and "You depress me." Hearing voices out on the lawn, Fefu picks up her gun and shoots at Phillip, who gamely falls down for a moment and pretends to be dead. Germany, also economically depressed and smarting from the harsh restrictions of the Treaty of Versailles, became a hotbed of resentment. Fefu and Her Friends is a feminist play presenting intelligent women who understand the distortion of women's personalities that can occur in a patriarchal world in which women are strangers about whom horrendous myths are perpetrated. She then invites him to join them for a modest meal and when Henry recites grace Mae is deeply affected. In the first scene, the women arrive and are introduced. She was injured in a hunting accident but Cindy assures Christina that the bullet did not touch Julia. Fornes's own direction of Fefu is a study of space and time, logic and intuition, reality and hallucination. She has changed her mind. Hailed as game-changing, provocative, and genius, Fefu and Her Friends is one of the most influentialand invisibleplays of the 20th century. The poem Emma recites, "Not from the stars do I my judgment pluck," is Shakespeare's "Sonnet 14," and the last line, "Thy end is truth's and beauty's doom and date," expresses Emma's deep respect for Fefu's charactershe believes in her friend even though Fefu doesn't much believe in herself anymore. . Fefu and Her Friends is a play that remains raw and relevant today. The first time that Maria Irene Fornes attended a rehearsal of one of her plays, she was amazed to be informed by the director that she should not communicate her ideas about staging directly to the actors but should instead make written notes that they would discuss together over coffee after rehearsal. Production Info Cast: 3 total (3 male) Short Drama (about 15 minutes) Single Set Contemporary Costumes Refer to each styles convention regarding the best way to format page numbers and retrieval dates. "And you're contagious. Isidore and Leopold represent the twin poles of an archetypal battle (father-son, teacher-student). In an effort to explain this strangely ambiguous ending, many critics have looked to one of its most obvious roots: the conflicted psyches of Fefu and her friends. When Paula shows her strength and refuses to be run over by this manipulation, Cecilia is inexplicably drawn to her ex-lover. The Rest I Make Up Home The Film Press The Story. Mud (1983) examines the dynamics of three interconnected and "stuck" characters. Didn't I just say my prayer? Although 105 and 106 have escaped into the world to "discover the appearance of sin," having been "unacquainted with evil," they soon learn to steal from the poor as well as the rich. Dr. Kheal (like Isidore in Tango Palace) insists he is always right because he is the master and proceeds to lecture on the elusiveness of truth, the impossibility of understanding beauty, and the mathematics of love. But in rewriting the play I took out this explanation." In Fefu and Her Friends, vision is achieved only through displacement, by standing outside the theatrical formula of realism. It was someone else Apparently there was a spinal nerve injury but the doctors are puzzled because it doesn't seem her spine was hurt when she fell. They broke my head. I've missed you too.". Fornes saw a As she later commented, It's as if you have a child, your own baby, and you take the baby to school and the baby is crying and the teacher says, "Please I'll take care of it. Paula remembers when she was new to the faculty and thought that everyone who was rich was happy. Northwestern University Archives. Earhart was the first female pilot to fly solo across the Atlantic in 1932 and she inspired many women with her independent spirit. In this sense, the term Lehrstck or "learning play" that Bonnie Marranca has used to describe Fornes's 1987 work Abingdon Square is applicable to Fefu and Her Friends as well. At first glance, Fornes's staging may seem simply a gimmick, a formalist exercise in multiple perspective something like Alan Ayckbourn's The Norman Conquests (1973). Julia aligns herself explicitly with Fefu, implying that she also is too smart and is therefore in similar danger of punishment by the judges; and indeed, of all the characters in the play, Fefu is most directly involved in the struggle that has left Julia crippled. Fornes suggests that "Julia is the mind of the play," and Julia's scene articulates the shaping vision of Fefu as a whole, as well as organizing the dramatic structure of part 2 ("Notes"). SOURCES Fornes provides no answers, but her women make startling strides in confronting the oppressive environment of prescribed relationships in art as well as in life. For plumbing, especially when it is not performing as it is supposed to, reminds us of the physical fact of the body and its production of waste. Described by Fornes as "the mind of the playthe seer, the visionary," Julia herself implies \that her insights into the patriarchal construction of female inferiority are repressed common knowledge when she states at the end of her Part Two monologue, "They say when I believe the prayer I will forget the judges. Hi. Fefu and Her Friends is a three-part play. As Emma says, "Life is theatre. One of the ways a person's power over their lives and even themselves, can be undermined is through a diagnosis, or even just a suspicion of insanity. She is crippled because of her former bad beliefs and behavior. Even more than you created them, they came to you. Fefu admits to the other women that Phillip scared her this time, that she thought he might really be hurt because he has threatened to one day put real bullets in the gun. She wrote more than Julia: I believe it. The play opens at a country house in 1935. Maria Irene Fornes and Her Critics. See Jane Gallop's description of the oculocentrism of theory "from the Greek theoria, from theoros, spectator, from thea, a viewing." It should be noted that theater of this kind is, in the careful sense developed by Benjamin Bennett, anti-Fascist, in that it not only opposes the imagined uniformity of response latent in the single perspective of realism and the single "personality" produced by poetic theater, but it also forces the audience to negotiate its own variety of responses as part of the play's condition of meaning. This series contains texts of short stories; excerpts from larger prose works; scripts for derived works; excerpts from plays; and complete texts of short plays. WebMara Irene Forns 3.61 191 ratings24 reviews Hopeful, hard-working Mae lives in bleak rural poverty, but she is going to school, and plans to better her life through the refined magic of reading and arithmetic. Sarita (Maria Irene Fornes), Box: 52, Folder: 38. Whilst Lloyd takes care of their pig, Betsy, Mae works hard cleaning, cooking, and ironing. Source: W. B. Worthen, "Framing Gender: Cloud Nine and Fefu and Her Friends," in Modern Drama and the Rhetoric Theater, University of California Press, 1992, pp. These are deeply ingrained stereotypes that feminists have long struggled to overcome. "Molly's Dream" "Promenade" Plays: Mud, The Danube, The Conduct of Life, Sarita by Maria Irene Fornes Call Number: Douglass PS3556.O73P52 1986 ISBN: 0933826834 Available for check-out at Alexander; on reserve at Douglass contains: "The Conduct of Life" "The Danube" "Mud" "Sarita" Plays in One Act by Daniel Halpern Call And when I forget the judges I will believe the prayer. Yet, though in the last moments of the play, Fefu sees Julia walk, a moment later she is again in her wheelchair. "A monologue must give voice to those who have been silenced. Foreshadowing is a device whereby the playwright places clues that warn about future events. With the men they feel safe. "Costumes / Change the course of life," as 105 and 106 discover when they place their prisoners' jackets on an injured man who is then taken away by the jailer. Join StageAgent today and unlock amazing theatre resources and opportunities. Drama for Students. Women are not." 7, Twentieth-Century American Dramatists, edited by John MacNicholas, Gale Research, 1981, pp. Paula, Sue, and Emma, delivering coffee, try to brighten the mood with silly jokes. They beat her. The Conduct of Life (1985) won an Obie Award; it synthesizes and exposes the intersections between domestic violence and national violence. Northwestern University Archives. Directed by Aaron Kahn, October 2427th, 1996 Events such as Fefu shooting blanks at her husband, Julia's hunting accidents, and the water fight are also absurdist elements. Kent's was the first full-length book dedicated to Fornes's work. Paula tells Cecilia, "I'm not lusting after you," when Cecilia continues to give her mixed signals. Lloyd: Paul Wolfe Source: Jules Aaron, Review of Fefu and Her Friends, in Theatre Journal, Vol. As the Shakespearean sonnet that Emma recites to Fefu in Part Two suggests, Fefu remains childless; she has not yet "convert[ed]" herself "to store" by fulfilling the promise of reproduction. You died." Cecilia enters the kitchen and it becomes apparent that there was a relationship between her and Paula, which has fizzled out. Austin, Gayle, Colette Brooks, Anne Cattaneo, Marie Irene Fornes, Marjorie Bradley Kellogg, Karen Malpede, Julia Miles, Joan Schenkar, Roberta Sklar, and Elizabeth Wray, "Backtalk: The Woman Playwright Issue," in the Performing Arts Journal, Vol. "He almost drove her crazy. In 1972, Fornes teamed up with other playwrights to create the New York Theatre Strategy, which opened in 1973. It's there. Sarita (Maria Irene Fornes), Box: 52, Folder: 38. The entire audience participates in the celebration that follows the wedding. This work brings together issues of politics, gender, and sexuality to show how forms of The speaker must urgently need to speak, to proclaim, to persuade, to In an echo of Fefu and Emma's conversation on the lawn, Julia says that man's sexuality is physical and therefore pure whereas woman's sexuality is spiritual "and they take those feelings with them to the afterlife where they corrupt the heavens." Emma has also brought along an even more outlandish costume to wear for their fundraiser event. Lloyd, who lives with Mae, spends his time caring a little too much for the farm animals; he scorns to learn from a book, and treats Mae with angry disrespect. They are recalled as if they were dead, cut down in their prime, because being sent to the psychiatrist was a kind of societal death. They are the insulators. Cecilia and Paula are old lovers whose relationship has failed. that "[e]xceeding is not escaping, and the subject exceeds precisely that to which it is bound" (Psychic Life 17). Maria Irene Fornes was born on May 14, 1930 in Havana, Cuba, to Carlos Luis and Carmen Hismenia Fornes. Fefu tells the others that her husband married her "to have a constant reminder of how loathsome women are." Set in New England in 1935, Fefu and Her Friends involves eight women who seem to share a common educational background and who gather at Fefu's house to prepare for what seems to be a fundraising project relating to education. all audience is 3, 1983, pp. These imaginary judges hold her accountable for deviant thoughts and behavior and the slightest misstep brings further pain. In part 2, Fornes breaks the audience into four groups, who tour Fefu's homegarden, study, bedroom, and kitchen: "These scenes are performed simultaneously. Therefore, that information is unavailable for most Encyclopedia.com content. As Emma says, "Environment knocks on the gateway of the senses." Kerr concludes: "If I lasted as long as I did, it was because I kept hoping during my constant journeyings that I might find a play in the very next room. Gloria Schuman, another friend, was sent to a psychiatrist for writing a brilliant paper. Show guides, character breakdowns, auditions, monologues and more 60 plays and a supplier. Of influence on one 's beliefs and self-esteem Gale Research, 1981, pp, fun spirit as a,... Her mother and sister the room, blood inexplicably trickles down Julia 's imagined judges authority. Be lovers, or ex-lovers NY, Accessibility Statement Terms Privacy |StageAgent 2020, character breakdowns, auditions monologues!, Christina asserts, maria irene fornes monologues I think you 're crazy '' and `` depress... Are property and copyright of their pig, Betsy, Mae works hard cleaning, cooking, and,. 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