Opera is thriving. Despite serious initial problems, the opera had a triumphant . It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. Anthony Tommasini is the chief classical music critic. The collection of #PBSForTheArts programs is available at pbs.org/arts and the PBS Video app. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. Two artists make notable Met debuts: the tenor Benjamin Bernheim as the Duke of Mantua and the conductor Speranza Scappucci in the pit. ) right before the final duet was almost howled, its effect spine-chilling. This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . But at the very least its coherent narratively. Keep up with all the latest news, arts and culture, and TV highlights from KPBS. Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . She displayed an elegant legato line in her Quanto affetto, her voice crescendoing as the line rose to first a G natural and then a high B flat a few bars later. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. O gioia! You could feel the excitement of this crescendo, exploding with vibrant sound on O gioia and then once again a few bars later on Allonda!. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. For up-to-date casting go back to the previous page. In Act three, he retained this prickly vocal character, his low notes throughout the quartet dark and grainy, emphasizing Rigolettos resentment. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. From his opening Questa o quella, he exuded vocal confidence, every note coming through crystal clear, every phrase elegantly thrown off, emphasizing the carefree nature of the Duke. She recently made her debut at Covent Garden as Micala in Carmen. Performance History. The Age - Thu, 31 Oct 2019 . The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. Roger Hodgman, 53, is director of the Melbourne Theatre Company. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19, Skylark Opera Theatre To Present Regional Premiere Of Jake Heggie's THREE DECEMBERS. The HD broadcasts are supported by Toll Brothers, America's luxury home builder. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. Wagner's soaring masterpiece makes its triumphant return to the Met stage after 17 years. 31 Dec 2021 - 11 Jun 2022. Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. Last night's affair proved this entirely wrong no fewer than three Met debutants galvanized this performance into one of the best performances ofRigoletto I've heard in years. Cortigiani had its tempo issues and they seemed to overwhelm early on, but he still managed to make the most of the situation, his voice powerful and present, emphasizing Rigolettos anger. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. I've never heard a Gilda so convincingly sound like she is at death's door. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. Karel Mark Chichon conducts. The Metropolitan Opera has looked to its deep bench of replacement singers to survive the Omicron surge, including the baritone Michael Chioldi, who has jumped into the title role of Verdi's. MEET THE STARS LUNCHEON. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. He made his Met debut with a production of Il Barbiere di Siviglia during the 200607 season, followed by stagings of Les Contes dHoffmann, LElisir dAmore, Otello, and Romo et Juliette, as well as the company premieres of Le Comte Ory and Nico Muhlys Two Boys. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Visit Website. He earned a Tony Award for directing South Pacific in 2008 and received Tony nominations for his Broadway productions of Golden Boy, Joe Turners Come and Gone, Awake and Sing!, and The Light in the Piazza. The arias tempo marking is Andante mosso agitato while the preceding tempo indication is a faster one Allegro vivo. Rigoletto returns in the spring for five performances May 28June 11, 2022. January 18, 2022. in the middle of his career. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses The final Adagio preceding Parmi veder le lagrime featured an exquisite run up to a sparkling high B double flat and a subsequent pained diminuendo. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. For more information, visit metopera.org. The Met: Live in HD is supported by Rolex. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Digital support of The Met: Live in HD is provided by Bloomberg Philanthropies. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. Industry Professionals. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! The winner of the 2015 Beverly Sills Artist Award, his other company credits include Amonasro in Aida, Count di Luna in Il Trovatore, Enrico in Lucia di Lammermoor, Peter in Hansel and Gretel, Monterone in Rigoletto, Marcello in La Bohme, and Giorgio Germont in La Traviata. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. They felt detached from transitions into them, when they existed (like in Cortigiani). For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . When you have a tenor like this cast had, the choice is made that much more difficult. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. His Cortigiani is utterly overwhelming, the emotional anchor of the entire work. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. She is a more defiant Gilda than usual, bringing a wonderful darkness and surprising heft in the final act. Armenian mezzo-soprano Varduhi Abrahamyan makes her Met debut as Maddalena. The opera will mark Morley's return to the Met following her . 29 des. Speranza Scappucci conducts Bartlett Sher's production. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. 23 des. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. Rigoletto Music by Giuseppe Verdi Libretto by Francesco Maria Piave Premiered March 11, 1851, La Fenice (Venice, Italy) Verdi's Italian masterpiece opens Opera Colorado's 40th Anniversary Season, featuring unforgettable music, including the effervescent "La donna mobile." Met Opera | December 17, 2022. Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. They met in 1979 in Rabe's home town of Vancouver, married five years . A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. Moreover, he started closing in on the other men around him, almost as if ready to strike them. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. 2010-2023 Bachtrack Ltd. All rights reserved. The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. For some, the movement allows for a shifting of place and time throughout (like during the cabaletta Possente amor mi chiama where we see Gilda getting prepared for the Dukes arrival) and thus creates visual momentum and variety. Opera splits things up a little differently, so a mezzo is basically in the soprano 2/alto 1 range, while a contralto is an choral alto 2. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. That was quickly contrasted in the ensuing scene as he roamed about the streets, delivering a hushed and pained Quel vecchio maledivami! The defensiveness of the opening scene continued throughout the conversation with Sparafucile, Kelsey initially reserved but slowly opened up his sound as he inquired about Sparafuciles methods. Bernheim managed to elegantly pull off the high note without killing the momentum of the piece (high notes throughout the night were always secure with clean cutoffs). As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. One might argue that we live in a moment of multi-tasking and that this should be a no-brainer, but breaking the spell of a performer like Quinn Kelsey in the middle of a character-defining scene is unfortunate, if not disrespectful. Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. 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This was most noticeable during her opening duet with the high B flat triplet sixteenth notes (non pi, vi calmate) and especially during the repeat of Ah, veglia, donna, queto fiore where her vocal line accompanies the baritone melody with leaps up and down the register; in this latter section, the ascents to the high Cs sounded timid and overly careful, lacking in clarity or brightness. His initial recitativo was colored by bitterness with the ensuing smoothness of his legato on E dove ora sar quellangiol caro? transitioning into a warmer timbre that hinted at his longing for Gilda. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Desperation took over with the subsequent phrases aggressive, accented, and frantic. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. Met Opera | April 22, 2023 . As he shouted out Addio from behind a closed door, Feolas Gilda shifted from tentative and nervous to sprightly and excited. Studio: The Metropolitan Opera. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. For further details on Rigoletto, including casting by date, please click here. And its definitely worth checking out. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. His entire duet with Rigoletto in Act one was fascinating, the bass digging into his thick and earthy tone with each phrase. Personally, the climax of his aria, an interpolated high B flat in the middle of an aria thats always on the move, is really hard to pull off smoothly. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. 2022 | 13:00 Rigoletto, Verdi, And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. His phrasing of il sol dellanima featured a polished legato line, each phrase building from the previous one before blossoming into a sublime high B flat on per te that then melted into an equally impassioned diminuendo on the ensuing dinvidia agli uomini sar per te. The return of this vocal ascent was somehow even more potent than the previous one with the diminuendo even stronger, a sign of the vocal flexibility that Bernheim displayed throughout. . The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. The Met Operas faithfulness to Michael Mayers increasingly unnerving, Taking on that task in this production was, In the role of Sparafucile, Relyea continued his revival with the company. Rigoletto opens on November 10, with Rosa Feola and Lisette Oropesa sharing the role of Gilda, Aigul Akhmetshina as Maddalena, Benjamin Bernheim and Stephen Costello as the Duke of Mantua, and Quinn Kelsey, Michael Chioldi, and Luca Salsi as Rigoletto. Home Performances Rigoletto. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. Often times, she was very flexible and allowed the lines to bend and flow organically, but more often than not, those moments would be followed by shockingly fast tempi that threatened to derail the entire enterprise. Additional details. Whats left to say, but that vocally this was some of the finest casts that the Met has assembled for a production this season. American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. 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